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 J. Clayton    Selected work     Publications    Installations
 Horizontal movements manifesto, 2020     About     Insta
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PVP (Player vs Player), 2022, Photo-cut-outs in cardboard video-game boxes, mounted to ply W/ coloured dice, 31x57x7cm  + Yellow brick from the yellow brick road, 2022, brick and high-visibility road paint, 21x10x7cm Acropolis II, 2025, oil on canvas, in Meranti structure W/ acrylic, 104x124cm Sand room dance (approx 6 x 5”) Silver-Gelatin print. 2017 Apple in Cadmium red #3, 2023, acrylic on canvas 159x180x4.5cm Para Vooç, 2023, photo-transfer & cotton thread on ststched calico, in ply artist’s frame W/ bricks, 51x64x9cm Knight’s ascension, 2023 [Comprised of the following 3 separate works] - Individually listed from bottom to top: collectively 140x110x2cm: Adam, 2023, laser etching on melamine desk W/ acrylic & jesmonite inlay 39.5x48x2cm, Braincase portable console, 2019-22, acrylic and soldered photo-cut-outs on lockable aluminium case, in melamine artist’s frame 44x62x2cm, Knight space cowboy in town, 2022, acrylic on cast concrete W/ photo-cut-outs, ply, Polymethyl Methacrylate sheet 39.5x48x2cm Untitled (A.R antenna) (approx 5 x 7”) Silver-Gelatin print. 2019 Flag For Breathing In / Flag For Breathing Out, 2023, oil on cotton, individually 210x75cm Flag For Breathing In / Flag For Breathing Out, 2023, oil on cotton, individually 210x75cm Ophelia at the airport, 2022. (Aluminium powder & acrylic silkscreen print on chipboard W/ x5 C-prints, & London commons bricks) Division of labour, FRONT (75x75x5.5cm) Acrylic, photo-cut-outs & map pins on chipboard, set into fire-door W/ crayon, 2023 Closed-world picture X (approx 36 x 72 x 42”) flat pack shelving system in red brick conservatory. 2019 Untitled (time service) (approx 4 x 5”) Silver-Gelatin print. 2016 Ophelia airport printout, 2022. (Aluminium powder & acrylic silkscreen print on paper W/ thermoplastic, bungie chords, & ply) Wrought iron Art Deco hall tree, 2022. (Routed ply W/ Metal coat hooks, oracle card, acrylic & yacht varnish) Knight's room/ insulated cell. From ‘E2-E4’ @ Niagara Falls projects. 2017 (CW87)P:ES(B)/L:18br(B)/F/16’ (approx 4 x 5”) Solarized Silver-Gelatin print. 2016 Arcanum XXI , 2023, Photo-transfer, cotton thread & acrylic on calico, in stained beech tray frame, 97x108cm 1244 S.I.M system magnetic tape stills catalogue (CRT TV Installation)  7 min Hi-8 tape loop, filmed in and around Senesse de senabugue cemetery, Ariège. To No Trend's 'Reality breakdown'. 2022 Trojan horse (Oasis), 2022. (Mixed media assemblage W/ auction photograph, plastic foliage, miniature models, spray paint, aluminium, & ply) (Front) Trojan horse (Oasis), 2022. (Mixed media assemblage W/ auction photograph, plastic foliage, miniature models, spray paint, aluminium, & ply) (Back) Unidentified Crater, 2023, Te Palandjian and Jacob Clayton, 80x34x38cm. Including (from top to bottom):  A) Ian Holm Stars as Ash, (JC) 2023, photographic print on mug, dirt, succulent 28x12x8cm,  B) Untitled Poem, (JC) 2023, 4th generation photocopy [Ed 100] 297x210cm,  C) Live Crater, (TP) 2023, dirt, *To be determined*x246x546cm Imperial City’s most wanted, 2023, Photo-transfer & marker on calico, in strip-wood artist’s frame, 57.5x52 x4.5cm The Intermediate State, 2023, notebook pages, photo-cut-outs, American quarter, ply, on red bricks, 46x61x35cm (FS3)P:ES(b)/L:42ks(b)/F/16’ (approx 6 x 5”) Silver-Gelatin print. 2016 We Carry Things With Us, 2023, selected paperbacks, glass bottle, photo-cut-outs, avocado plant, 71x18x11cm Spacell battery (approx 10 x 10 x 7”) aluminium structure suspending  fresh cooking apple above worm eaten apple. From ‘E2-E4’ @ Niagara Falls projects. 2017 Tuning board 2020 (3 channel portable modulator) (approx 21 x 9 x 3”) wood and plastic frame W/ saturation point & fidelity adjustment. 2020 Xenomorph.co.uk, 2023, four-colour separation screen print on shopping bag, with dirt, 58.5x39.5cm A,B console / Substation manifesto (approx 48 x 66 x 24”) water based paint in rosewood laminate booth. 2020 Peckham lobby, 2022, photo-transparency on light-box [mounted], 49x35.5x13.5cm Power Struggle, 2023, oil, photo-cut-outs, staples, on record sleeve, in ply artist’s frame, 34x34x3cm TV_2023 (Pole Star), 2023, acrylic and gesso on dowelled wooden blocks 41x60x17cm Untitled playing card (2). 2021-22 Small City, 2023, Natsuki Iwamoto and Jacob Clayton, 50x30x29.5cm. Including (from left to right): A) A Piece Of Pine [Skin and Bones], (NI) 2023, pencil on pine, 8.5x4x4cm, B) Get Converted, (JC) 2023, found object [pin], 3.5x3.5cm, C) Adventure door, (JC) 2023, photo-cut-outs & oil stick on ply, 29.5x17x6cm, D) A Piece Of Pine [Laundry Detergent], (NI) 2023, acetate print on pine, 11.5x4x4cm, E) Untitled [Pier], (NI) 2023, pencil and tack on timber, 18.5x11x4cm Eternal Subdermal (portable frequency amplifier) (Front) (approx 13 x 13 x 3.5”) foam & ply-board single use frame W/ detachable audio cable. 2020 Eternal Subdermal (portable frequency amplifier) (Back) (approx 13 x 13 x 3.5”) foam & ply-board single use frame W/ detachable audio cable. 2020 Ophelia 2, 2022. (Acrylic on brick) A coke telephone and a bottle of coke imported from Nigeria, one looks like it could have coke in it but that's the telephone, the other is empty because it was drank by me, the artist, 2023, acrylic & photo-cut-outs on chipboard, in waxed strip-wood artist's frame, Individually 28.5x22x4.5cm Sigourney Weaver Stars as Ripley, 2023, photographic print on dinner plate, cotton string, battery powered light, 26x26cm Harry Dean Stanton Stars as Brett, 2023, photographic print on espresso cup and saucer set, on red brick, 12x21x12.5cm Zodiac Print 2019 (smooth running gun) (approx 8.5 x 6”) black ink on reclaimed paperback paper, 2019 Eternity stick, 2022, Marker on timber off-cut, 5x114x3cm Untitled (Approx 12 x 10“) Pyracantha Orange Berries in rusted tray, from ‘E2-E4’ @ Niagara Falls projects. 2017 No:1 of - open_battery board & close_battery board (approx 16 x 21 x 0.75” / 10 x 9 x 12”)  4 plasterboard panels, spray paint, silicone based glue - catalogued as (approx 7 x 6” Individually) black ink on reclaimed paperback paper, 2019 No:2 of - open_battery board & close_battery board (approx 16 x 21 x 0.75” / 10 x 9 x 12”)  4 plasterboard panels, spray paint, silicone based glue - catalogued as (approx 7 x 6” Individually) black ink on reclaimed paperback paper, 2019 Sequencing plug [I wanna be your dog], 2022. (Transparencies, insulation tape, glass tile, aluminium, ply & x4 imported Coke bottles) Cycle 1, 2022. (x4 Oracle cards, transparency, & various nails on painted sideboard Untitled (S.P 1, 2 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 3, 4 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 5, 6 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 7, 8 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 9, 10 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 11, 12 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 13, 14 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 15, 16 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018 Untitled (S.P 17, 18 dialogue) (3.5 x 5.5”) Silver-Gelatin print. 2018